In 1940, Varian Fry traveled to Marseille carrying three thousand dollars and a list of imperiled artists and writers he hoped to help escape within a few weeks. Instead, he stay In 1940, Varian Fry traveled to Marseille carrying three thousand dollars and a list of imperiled artists and writers he hoped to help escape within a few weeks. Instead, he stayed more than a year, working to procure false documents, amass emergency funds, and arrange journeys across Spain and Portugal, where the refugees would embark for safer ports. His many clients included Hannah Arendt, Max Ernst, Marcel Duchamp, and Marc Chagall, and the race against time to save them is a tale of forbidden love, high-stakes adventure, and unimaginable courage电影里面丁若铨的这句话让人印象深切:“我所希望的,没有两班,没有平平易近,没有嫡子,没有庶子,没有主人,没有奴婢,也不需要王的世道。”可惜在当时韩国封建巩固的期间过分超前,只得在流放地著书传世。 电影利用黑白镜头,画面纹理细腻,布景干净整洁,显得淡雅而有韵味,塑造人物又很立体,展现了东亚电影独特风格。对此历史感兴趣的话可以一看。详情