Asim Noyan swindles people with his lies and games. Asim Noyan and his gang, who no one else has been able to catch, gets into a ruse again故事是个好故事,但是作为电影的形式还不如有些日剧精彩,表演叙事结构摄影构图槽点不少Asim Noyan swindles people with his lies and games. Asim Noyan and his gang, who no one else has been able to catch, gets into a ruse again故事是个好故事,但是作为电影的形式还不如有些日剧精彩,表演叙事结构摄影构图槽点不少。形式这东西很奇特,当它完全呈现内容时,几乎感觉不到它的存在,当它有问题时,或者用力过猛或者贫瘠不足,就会很较着。浅田政志 (Asada Masashi) 的那只背包让我回想起一次去成田机场电车上遇到的一位大叔,或者お爺さん,那时我应该看起来比较丧,大概是那只背包引起他的兴趣,他问了我从哪来到哪去做甚么学甚么具体我都不记得了,只记得他在下车前面庞很坚定的对我说,你还年青,还可以做很多想做的工作。我连他这句话的日文原话都忘记了,但当时的感受和景象依然记得很清楚,他的鼻孔里插着一根塑料管,拖着一个和我背包差不多大的呼吸机。详情